Lighting Design


Highlights

Technical Experience

Rude Mechanicals
Scapin the Schemer: Lighting Design (March 7-10, 2018)
Hamlet: Lighting Design/Tech (Nov. 17-18, 2017)
StageLight Theatre
The End: Lighting Design/Technical Director (May 11, 2017)
Play With Life: Writer/Light Design/Booth Tech (March 31, 2017)
Zombie Prom: Lighting Design (March 2-7, 2017)
Witness For the Prosecution: Lighting Design/Sound Design and Tech (Nov. 10-14, 2016)
‘Night Mother: Director (Sep. 15-18, 2016)
A New Day in the Bank: Director (May 4, 2016)
Weird Romance: Light Tech (April 7-12, 2016)
The Most Massive Woman Wins: Director (March 16, 2016)
Scooby Dooby Clue: Cowriter/Director (Dec. 10, 2015)
All in the Timing: Director (April 14, 2015)
Lucky Stiff: Costumer/Dresser (March 5-10, 2015)
The Curious Savage: Props/Running (Nov. 20-23, 2014)
Inherit the Wind: Hair/Makeup (Nov. 22-26, 2013)
Concept Work

Honors

Mark Collins Memorial Technical Theatre Scholarship
International Thespian Ranking
Orpheum High School Musical Theatre Awards 2017; Zombie Prom; Outstanding Lighting Design winner, Creative Achievement Award nominee
StageLight Theatre Outstanding Technical Achievement and Best Production Workshop Director 2017
Thespian Troupe #3968 Public Relations Officer 2017

Scapin the Schemer

Rude Mechanicals
March 7-10, 2018

Hamlet

Rude Mechanicals
Nov. 17-18, 2017

Climax

(Claudius’ shadow is inflated as he exits)

Play With Life

The StageLight Theatre
International Baccalaureate Theatre SL: Collaborative Project
May 11, 2017

Just the ‘Real World’ lights.
The differentiation between the ‘Real World’ and the ‘Sim World’ shown with colored lights and hard focus (lens barrel back).
Actor wears Plumbob made from scraps of Roscolux #388 Gaslight Green filter under one of the green lights used in the show.
Left:  Actor wears Plumbob made from scraps of Roscolux #388 Gaslight Green.

Supplemental Materials

Collaboration Reflection (IB Group 4)

Original Script

Zombie Prom

The StageLight Theatre
March 2-7, 2017

Accolades: Orpheum High School Musical Theatre Awards: Outstanding Lighting Design Winner, Outstanding Student Creative Achievement Nominee; StageLight Theatre Best Technical Achievement

LEDs

Two MegaLite Baby Color LED lights


In the Prologue, as time passes, the lights change as it was “another day”. Each time it’s ‘another day’, the Baby Colors changed colors; amber for fall, pink for Valentine’s Day, etc. The Baby Colors were also used for the red flashing during the Prologue’s nuclear attack drill, and throughout the rest of the show to differentiate moods, settings, and time.

Mood Lighting

During the nuclear attack drill in the prologue, Jonny and Toffee meet and fall in love. I had the red flashing lights fade down with the sirens fading down, and added some dim pink LED lighting, along with keeping all of the front lights dim, and the followspots bright on them, in order to focus in on the moment.

I used the same technique in the Gym scene, where Delilah and Eddie meet again, to show the parallel between their relationship and Jonny and Toffee’s. This was also used for comic effect, as when Josh interrupted them, the lights suddenly came back up full, effectively breaking the moment.

During “Case Closed”, the lights started moving in a sequence towards the end in order to reflect the chaos between the trio. At the end of the song (which

ends Act One), the trio comes together. As Eddie sang his purpose “Top Story”, the front lights went dim, and the followspot hit him. Then Delilah sings hers, “No Zombies” and the lights on her side of the stage (via the LEDs) went red, and the same for Jonny’s “My future” except in green.

When Toffee entered the prom, the lights on everyone else went dim, and she had a pink followspot hit her, to separate her from the rest of the kids. Then, when Jonny came out, a followspot went on him, green, and the two were effectively in ‘their own little world.’

Concepts

When Jonny commits suicide, he runs through the back door of the set, and jump off the backstage platform. I hung a small can light gelled R89 Moss Green so the audience could see Jonny jump, and when he did, (with the explosion sound effect) I had all of the front lights come up at 100% very quickly and then the atom gobo came up. This was to simulate the nuclear explosion.

Before “Blast from the Past”, when Jonny comes back as a nuclear zombie, Toffee keeps hearing his voice saying, “Toffee, Toffee.” Each time this happened, The scoops and the LEDs lit the stage up green, and the green light behind the door also came on.

Due to makeup supply and sweating issues, Jonny had trouble staying green enough. Because of this, I had the spot ops keep their followspots gelled green when they were on Jonny. “Come Join Us” takes place in a TV studio. To simulate the cameras coming on and off areas, I had the lights come up full in those areas when the cameras switched to them, then go back to half when the cameras were off those areas.

 

Witness For the Prosecution

The StageLight Theatre
November 10-14, 2016

Accolades: StageLight Theatre Best Technical Achievement

‘Night Mother

The StageLight Theatre
September 15-18, 2016

Accolades: StageLight Theatre Production Workshop Best Director 2017

Concept Work

The Elephant Man

Concept Work for Tennessee Thespian Conference Senior Scholarship Auditions 2017
Accolades: Mark Collins Memorial Technical Theatre Scholarship 2017

The (curious case of the) Watson Intelligence

Concept Work for International Baccalaureate Theatre class (Director’s Notebook)

Visual Literacy Fall 2017 Photo Essay

“Triplopia: The light of the body is the eye”